Bradley Klem

Our planet is changing forever and for everyone. My work addresses the influence of man on the environment, focusing on the impact of our pollution. The ceramic material provides a rich historical and cultural context to draw on. Ceramic works come in many different forms and from a broad variety of cultures, locations, and origins. It is deeply connected to who we are. Equally as diverse in form and source of origin, though lacking in historical significance, is the plastic garbage that we make today. I utilize the familiarity and historical context of ceramic vessels combined with contemporary imagery of man’s impact on the environment. The pot behaves as a Trojan horse infiltrating the domestic space, carrying conversations of our planetary disposition. 
The work is graphic and vibrant, luring the viewer in. The contextual shift and combination of these everyday items of plastic waste with ceramic forms create cognitive dissonance. It invokes the question, “why is this trash beautiful?” Through this question, I challenge the viewer to consider their own experiences with plastic pollution. To see historical forms canonizing our relationship to plastics in a ceramic history brings a sense of urgency to our climate crisis. Do we want our recorded history to consist of the destruction of our planet’s natural wonder? Or can we inspire collective activism to prevent the natural wonders that used to decorate our ceramic objects from being replaced by plastics altogether? These are the pots of the Anthropocene.